PREFATORY NOTICE. THE Author of the following Poems was eminent for his integrity, abilities, and conciliatory disposition; which made him regard what was just, rather than what was scientific. As a scholar - nay, as a philosopher - his mind was stored with whatever is excellent in Literature; and he admired whatever is grand, impressive, and interesting in Nature. He was a man both of observation and reflection; and his remarks were listened to with that degree of attention which a superior judgment always commands. Above all, as a man - as an upright, independent, generous, and sociable man - he was honoured, esteemed, and beloved; nor was this tribute paid to the qualities of his heart in a common or a partial degree, but warmly and generally. His satirical powers - (which, keeping a judicious aim, become an active virtue, or the defender of virtue itself) - were elucidated in many instances, and thrown, with subtile keenness, against vice, folly, and corruption. In testimony of this, he has left behind him many admired specimens both in prose and verse. The milder effusions of his genius abound in sentiment and pathos, equal, at least, to many of the more lauded poetical pieces of the day; and had he prosecuted with ardour that gift with which he was favoured, he might have laid claim to a palm which a less qualified muse may now possess. His humour was unbounded, and was of such a nature that it delighted all who had the honour of his acquaintance, without hurting the feelings of any. He was a firm patriot, an universal philanthropist, and a warm friend: noble, generous, honest - modest, unassuming, feeling: he was a man who mixed with opposite parties, and was equally beloved by all. It may be thought, by those who shared not the pleasures of his society, that this outline of Mr Beattie’s character and qualities is a laboured panegyric, - and we confess that, of an individual at a distance, we should have suspected so, - but to those who knew him, it will appear only an attempt to draw the contour of a picture which every one admired in its natural perfection. As individuals, we have no right to intrude with our own private feelings, in lamenting the death of this worthy and valuable member of society; but it would have been doing injustice to his memory to have said less; and we are assured that none will contradict us when we declare, that no man in Montrose or its neighbourhood was ever more generally beloved in his life, or more universally lamented in his death. A chaste and elegant monument has been erected in the Lower Churchyard of St. Cyrus, to the memory of Mr. Beattie, by his friends and admirers. It is of the simplest order - of a square form, having corners of polished granite, with corresponding panels, and is surmounted by an urn. The north panel (which is composed of marble) bears the following Inscription: To the Memory of GEORGE BEATTIE, Writer in Montrose, who died 29th September, 1823, in the thirty-eighth year of his age, this Monument was erected by the Friends who loved him in life, and lamented him in death. In his Disposition, he was Just, Charitable, and Benevolent; in his Principles, Firm and Independent; in his Genius, Forcible and Pathetic; and in his Manners, Plain and Social. His Virtues are deeply engraved in the hearts of those who knew him; and his Literary Productions will be admired while Taste for Original Humour and Vigorous expression remains. _September_ 29, 1824. PREFACE TO THIS EDITION. ONE element in the life of our fathers, which did much to impart quaintness and piquancy has vanished, or is fast vanishing. We mean the "characters," the brains "of this foolish-compounded clay," who, whether they had themselves wit or not, were the fertile cause of wit in other men. The railway, the electrical telegraph, the uncongenial hurry, and "clamour and rumour of life to be," are not kindly to such, and have slowly and surely elbowed them off the scene. The type that half a century ago would have been tolerated, and have shown all kinds of originality and oddity - shedding abroad amusing "quips and cranks" and side-splitting reminiscences, to be passed gaily from mouth to mouth at many a social meeting - altogether inoffensive and kindly too - are now either not forthcoming, or are condemned to a modern mode of scientific treatment which judiciously rubs off the "corners and angles," but spoils the "character." It is not too much to say that just in proportion as the class declines in our midst, the greater value will be put on the literature that preserves the record of them. Whatever is, through changing conditions, actually lost to life in this way, literature strives to recover and embalm. If "characters" of the old type are now no longer to be met with amongst us, to be observed and leisurely conversed with, it is but a natural result, that the books which preserve the savour of their laugh-inspiring presence should come to be valued and receive yet more and more a hospitable and hearty reception. And if this should naturally be the case in respect even of the most commonplace and matter-of-fact chronicles, for which there is growing day by day a greater request, how much more should it be so, when invention and genius have added their "transfiguring atmosphere." It is mainly on these grounds that the issue of this Edition of "JOHN O’ ARNHA’," with faithful impressions from the Plates which appeared in the first Edition of the work, has been undertaken. The original of John o’ Arnha’ was one of the "characters" of Montrose in his day, and so was his friend, the Horner; and Beattie certainly showed a rare sense of humour and dramatic power in his mode of dealing with them, which certainly goes far to justify the naming of the piece along with the "Tam o’ Shanter" of Robert Burns. It is valuable, not only as revealing various phases of social life in Montrose and in many other towns of Scotland at that time, but as a piece of literature; and it has thus a double claim on the appreciation of all who take an interest in the history and social condition as well as in the poetry of their country. The graphic and faithful detail here and there is not more remarkable than the grim and yet spontaneous extravaganza of the water-kelpies and their kindred; and he would be a dull man indeed - a fellow of anything but "infinite jest," who could read without being moved by the author to some sympathy with his humorous and rollicking mood. GENTLE AND COURTEOUS READER. THE following Tale was originally written from mere frolic. It was first published in _The Montrose Review_, and afterwards in a small Book, which, being low in price, met with ready sale. As my Pegassus, however, was somewhat restiff, and the Rider both awkward and impatient, - to save time and trouble, nearly one half of it was composed in plain prose. After this, some sketches were drawn from the scenery, and the Publisher, in his wisdom, had these engraved. I was again commissioned to render the prose into verse, for another edition, which I did, such as it is, with great alacrity. I was told, however, that the Poem behoved to be lengthened, so as the Plates might be placed at proper distances, and not come in contact with each other. With much good nature I again set to work, and dilated as far as leizure and patience would permit: to this extension Mr. Southey, and some other gentlemen, owe the honour of being introduced in the following pages. Having wrought at the instigation of another, without fee and without reward, - neither expecting praise, nor dreading censure, - I have not that tender and paternal regard for the work, which almost every author has for the offspring of his brain. The public may treat it as they please, without in the least hurting the feelings of the Author. This will appear pretty evident, on reading the work itself. At the same time, although the Publisher has brought it forth in a style much more elegant than it could have any title or pretension to, I should not wish him to be a loser by his folly; which, however, I much dread: at all events he cannot say he has been burdened with payment of _copyright_. I now see I could have made the Poem more bulky, without being at the trouble of adding more lines to it. This could have been done by dividing it into _Cantos_. By the modern method of book-making, the termination of one Canto, and the beginning of another, generally swallow up four full pages. Six Cantos, therefore, would have made it twenty-four pages longer, without the addition of a line. Dividing into verses, or sections, and filling up the spaces with numerical letters, is another expedient for extension. The Spenserian stanza has always been considered entitled to this; but it is quite an innovation in _namby-pamby_. The introduction of episodes, in the shape of songs, sonnets, &c., preceded by blanks, and titled in Saxon letters, is for the same reason resorted to by the "Hireling Harpers" of the present day. Indeed, it is by these means that our modern Bards and Publishers fill their pockets, and gull the public. After having finished the Tale, in some shape or other, I really was somewhat astonished on being again told by the Publisher that it was necessary to write a PREFACE; and, moreover, that he "must have it immediately," as he had advertised for publication on a certain day. I had no wish to renew my labours in the vineyard of folly; and, besides, I considered the request to be a most ridiculous one. "This is not the time," said I, "for writing a Preface: if you had wished anything of that nature, you should have informed me at the commencement; I never saw the Preface at the end of a book, except when printed in Ireland." Printers, it appears, however, can commence at the beginning, middle, or end, of a work, as it best suits them. "That is of no consequence," said the Publisher, "I have left eight pages at the beginning for the Title and the Preface: the Title takes up two, - the remaining six are for the Preface; but if you think you cannot spin as much out of your brain, in the course of an hour or two, as stain these, I can reduce them other two pages, by adding a _bastard_ Title." All this was quite unintelligible to me ; - and now that I have commenced writing a PREFACE, OR something else, - I really feel at a loss what to state in it, - more indeed as to quantity than _quality_. The six pages, it would appear, must be filled, and no more. I must, therefore, go on; and the Printer must stop at the end of the last page - whether a sentence may happen to be concluded or not. If it wants anything, let him hill it up with a blank page, like one of those in "Tristram Shandy." It will be pretty evident that, in writing this Tale, "Tam o’ Shanter" was kept in view; at the same time I know well it can no more be compared to that inimitable production than Southey’s "Carmen Triumphale" could be to "Homer’s Iliad," or I to Hercules. It ran so much in my head, however, that I was more cramped in avoiding palpable imitation, and involuntary plagiarism, than I was benefited in any other respect, by attempting to adopt it as a model; for, no sooner did I set about brewing my storm, and setting it a blowing, than the original and expressive lines of the immortal Bard came wildering across my brain: ="The wind blew, as ‘twad blawn its last; =The rattling showers rose on the blast; =The speedy gleams the darkness swallow’d; =Loud, deep, and lang, the thunder bellow’d: =That night a child might understand, =The deil had business on his hand." When I attempted to moralize on the fleeting nature of pleasure and glory, - how quickly these vanish, and are followed by misfortune, stripes, and disgrace, - then I was haunted by the four beautiful similies, proving the fact in such an original and striking manner: ="But pleasures are like poppies spread, =You seize the flow’r, its bloom is shed; =Or like the snow-falls in the river, =A moment white - then melts for ever; =Or like the borealis race, =That flit - ere you can point their place; =Or like the rainbow’s lovely form, =Evanishing amid the storm." Show me any thing that can be compared to this in your modern poems! When the fleshless Harper came into the field, and with his wild music stirred up Witches, Warlocks, Ghosts, Devils, and Demons, to trip it "on the light fantastic toe;" then jingled in my ears the forcible and firmly clenched lines of Burns: ="He screw’d the pipes and gart them skirl, =Till roof and rafters a’ did dirl," &c. ="....Hornpipes, jigs, strathspeys, and reels, =Put life and mettle in their heels," &c. ="As Tammie glowr’d, amaz’d and curious, =The mirth an fun grew fast and furious =The piper loud and louder blew; =The dancers quick and quicker flew; =They reel’d, they set, they cross’d, they cleekit, =Till ilka carlin swat and reekit," &c. Have we any thing like this now-a-days? This most original, comic, and horrific poem, I am aware, is not so much read in the drawing-room as the modish performances of a new race of poets; but it will tickle the risible muscles, and raise the hair on the crowns, of generations yet unborn, when these ephemeral performances will sleep as sound as their authors. The muse of _humorous poetry_ seems to have been entombed with Burns. His predecessors, Ramsay and Fergusson, were also peculiarly in the good graces of that buxom lady. We have nothing now like "Christ’s Kirk on the Green;" "The Monk and the Miller’s Wife;" Fergusson’s "Leith Races," "Hallow Fair;" Burns’ "Tam o’ Shanter," "Death and Doctor Hornbook," "Halloween," or "The Jolly Beggars," - the last was fastidiously rejected by Dr Currie, in his edition of Burns’ Poems. I by no means wish to insinuate that these are the best poems of the Bards I have just now mentioned: they are the best of their particular class - the humorous; and I speak chiefly of poems in the Scottish dialect. "The Gentle Shepherd," "The Farmer’s Ingle" "The Cotter’s Saturday Night," and other poems of the same authors, have their peculiar merits and beauties. The incidents and descriptions in these are exquisitely natural, and truly pastoral. Burns and Fergusson, in particular, had the happy knack of leading their readers, in the very best humour, to the "wee bit ingle and clean hearth-stane," "the cosh and cantie housie," of the Scottish peasant, where the inmates are brought before us, and viewed, not through the medium of caricature, or the mist of time, but in a way so simple, natural, and chaste, that they are instantly recognised as real, living, generick characters. Such descriptions must be read with pleasure by every one who is not so miserable as to be refined above enjoying the beauties of nature - a disease not uncommon amongst the critics, and those who gratuitously rank themselves in the higher classes of society. The descriptions of our present poets are very different from those I have just mentioned. They usher us into the Gothic Castles and Halls of Barons bold, and to the presence of princely dames, and warriors clothed in steel. These beings may be made to speak and act as best suits the convenience of the author; for as no person living ever had the pleasure of seeing the originals, they cannot, consistently, take upon them to condemn the pictures. Anxious, at all times, to shelter myself under the wings of my betters, I have also presumed to bring forward some characters not known in common life, for which I shall plead no excuse to the gentle and courteous Reader. The Hero himself is drawn from a living original in this neighbourhood, already well known to fame. As to the second personage, the _Water Kelpie_, whose only ambition is, and has been, for centuries past, to wallow in the Ponage Pool, and take the benighted and way-worn traveller off the hands of the treacherous _Spunkie_, to plunge him in a watery grave, - good breeding, or court etiquette, could not be expected to emanate from such a quarter. As to the "grewsome" appearance of the Ghosts, poor fellows, no blame attaches to them - it was none of their doings. Let the other characters speak for themselves there is _one_ that I have no great inclination to meddle with at all - "let sleeping dogs lie." As to the Tale itself, I shall "speak lowne," particularly as I am not prepared to say any thing in its favour: if I had been possessed of more leizure, and endowed with more patience, I think it might have been made better. The scenery, however, - I mean the natural scenery - not as described by me, - is certainly not inferior to the "Banks of the Doon" and "Alloway Kirk." The lone and dreary situation of the Old Kirk of Logie, in the vicinity of the dark and gloomy Den of St. Martin, long reported to have been the sinful haunts of "Warlocks grim and wither’d Hags;" and the Ponage Pool, on the North-esk, at a little distance, the well-known rendezvous of the _Water Kelpie_, - are objects of terror to the superstitious, and of more than ordinary interest to those who may at times take delight in amusing their minds with the traditionary legends of this part of the country. Presuming my alloted space is not yet filled, I take an opportunity to state (although it has little connection with the called-for Preface), that I am extremely partial to the language of Caledonia. From its expressive simplicity it is peculiarly adapted to the pastoral, the natural, and pathetic; and since the year 149O, when Maister William Dunbar, the chief of ancient Scottish poets, wrote "The Twa Mariit Wemen and the Wedo," and "The Mirrie Aventure of twa Quhyte Friers of Berick," and uther ryghte mirrie and wittie tales, - down to the death of Burns, it has been constantly and most successfully employed in the humorous and ludicrous. That it is equally well adapted to the martial and heroic, is strikingly illustrated in "Bruce’s Address to his Army," by Burns. Let the _petit maitre_, and the fine lady, who cannot hear a sentence pronounced in Scotch without fainting, remember that this "vulgar jargon" was once the language of heroes; and that those who yet understand it, find it richer, and more expressive, than the English. As to errors, whether of the pen or the types, let them be pointed out by others. JOHN O’ ARNHA’. A TALE. IT was in May, ae bonnie morn, When dewie draps refresh’d the corn, And tipt ilk stem wi’ crystal bead, That glissent o’er the spangelt mead, Like gleam o’ swords in fairy wars, As thick and clear as Heaven’s stars; While Phoebus shot his gowden rays, Asklent the lawn - a dazzlin’ blaze; The wind but gently kissed the trees, To waft their balm upo’ the breeze; The bee commenced her eident tour - Culling sweets frae ilka flow’r; The whins in yellow bloom were clad, And ilka bush a bridal bed; A’ Nature smil’d serene and fair; The la’rocks chantit i’ the air; The lammies frisket o’er the lea - Wi’ music rang ilk bush and tree. =Now "sighs and vows," and kisses sweet - The sound of lightly tripping feet - Love’s tender tale - the sweet return - The plaints of some still doomed to mourn; The rustic jest, and merry tale, Came floating on the balmy gale; For, smiling, on the road were seen Baith lads and lasses, trig and clean; Linkin’ blythely, pair and pair, To grace _Montrose’s Annual Fair!_ - Montrose, "wham ne’er a town surpasses" For _Growling Guild_ and _ruling Asses!_ For pedants, with each apt specific To render barren brains prolific; For poetasters who conspire To rob Apollo of his lyre, Although they never laid a leg Athort his godship’s trusty naig; For preachers, writers, and physicians - Parasites and politicians: And all accomplished, grave and wise, Or sae appear in their own eyes! To wit and lair too, make pretence; E’en sometimes "deviate into sense!" A path right kittle, steep, and latent, And only to a few made patent. So, lest it might offend the _Sentry_, I winna seek to force an entry; But, leav’t to bards inspir’d and holy, And tread the open field of folly; For certes, as the world goes, Nonsense in rhyme’s as free’s in prose; And are we not distinctly told By Hudibras in days of old, That "those who write in rhyme still make "The one verse for the other’s sake; "And one for sense, and one for rhyme, "Is quite sufficient at a time." =As for your critics, ruin seize them, I ken I canna sing to please them; A reason guid - I dinna try - They’re but a despicable fry, That vend their _venom_ and their _ink_, Their _praise_ and _paper_, eke for clink. Thae judges _partial_ - self-eleckit, Why should their sentence be respeckit; Why should the silly squeamish fools Think fouk will mind their measur’d rules? They spill not ink for fame or glory, Nor paper blacken, _con amore_; ‘Tis Mammon aye their pens inspire, They praise, or damn, alike for hire; An’, chapman like, their critic treasure, Is _bought_ and _sold again_ by _measure_; Some barrister new tane degrees (Whase purse is lank for lack o’ fees), Or churchman just come frae the college, Wi’ scull weel cramm’d wi’ classic knowledge, Draw pen to laud some weary bard, Or deal damnation by the _yard:_ But first they toss them up a maik, To learn what course they ought to take: If "tails," the critics quickly damn him, If "heads," wi’ fousome flattery cram him. In either case they’re paid their wages, Just by the number o’ their pages. =How soon are mortals led astray - Already I am off my way; I’ve left my bonnie tale, to fesh in A wicked scandalous digression; By bards of yore, who sang of Gods, Clep’d underplots and episodes; But "Muse, be kind, and dinna fash us, "To flee awa’ ayont Parnassus ;" Or fill our brains wi’ lees and fiction, Else fouk will scunner at your diction. =I sing not of an ancient Knight, Wi’ polished lance and armour bright; Nor, as we say, wi’ book bedeckit In "iron cap and jinglin’ jecket," High mounted on a champion steed, Eneugh to fley poor fouk to dead - Or modern Dux, wi’ noddin’ crest, An’ starnies glancin’ on his breast - Or garter wuppit round his knee To celebrate his chivalry ; - Heroes fit for southern bardies! Mine walks a-foot and wields his gardies; Or, at the warst, his aiken rung, Wi’ which he never yet was dung, Unless by more than mortal foe - By daemons frae the shades below, As will be seen in proper time, Provided I can muster rhyme. =The valiant hero of my story Now rang’d the fair in all his glory, A winsome strapper, trim and fettle, Courtin’ strife - to show his mettle, An’ gain him favours wi’ the fair - For dastard coofs they dinna care. Your snools in love and cowards in war, Frae maiden grace are banish’d far; An’ John had stak’d his life, I ween, For favour frae a lassie’s een. Stark luve his noble heart had fir’d - To deeds o’ pith his soul aspir’d; Tho’ these in distant climes he’d _shown_, ‘Twas meet to act them in his own. =Now thrice he wav’d his hat in air; Thrice dar’d the bravest i’ the fair; The _Horner_ also wav’d his bonnet, But wish’d, belyve, he hadna done it; For scarcely had he counted sax, Before a double round o’ whacks Were shower’d upon his banes like hail, Right, left, and centre, crack pell-mell - Sair to bide, and terrible to tell. The hardest head could ne’er resist The fury of his pond’rous fist; He hit him on the ribs sic dirds, They rair’d and roove like rotten girds; His carcase too, for a’ the warl’, Was like a butt or porter barrel. Now John gaed round him like a cooper, An’ show’d himself a smart tub hooper; Wi’ mony a snell an’ vengefu’ paik, He gar’d his sides an’ midriff ake; Upon his head-piece neist he hammert, Until the _Horner_ reel’d and stammart, He cried out "Mercy! plaque upon it!" Up gaed his heels - aff flew his bonnet, An’ raise to sic a fearfu’ height, It soon was lost to mortal sight. Some said, that witnessed the transaction, ‘Twas cleekit by the moon’s attraction, Or nabbit by the fairy legions, To whirl them through the airy regions. Sonnet. =But far it gaed, or far it flew, =The feint ane either cared or knew. =Yet strange to tell, tho’ very true, =Again it never cross’d his brow, =Nor ever kyth’d to mortal view. =Some said they heard it cry "adieu," =As thro’, the air, sic clear and blue, =It skimm’d as quick as ony dow. =An’ weel I wat, to gie’t its due, =It was baith sleekit an’ spleet new, =Of as guid stuff as ever grew =Upo’ the back o’ ram or ewe, =Or ever fendit rain or dew; =Weel twisted out o’ haimert woo - =Weel ca’d thegither and waukit too - =Weel dy’d and litit through and through; =The rim was red - the crown was blue! =But now it’s gane? Eheu! Eheu!! And here maun end my dowie sonnet Upo’ the _Horner’s_ guid braid bonnet; Weel wordy o’ mair lofty strains, For happin’ sic a head o’ brains, =Still prone on earth the vanquish’d lay, View’d by the rabble with dismay; Now groaning, startit frae the ground, And swore he’d have another round. No sooner was this socht than granted, The victor vow’d ‘twas what he wanted. Each took his ground - the ring was form’d; Wi’ pain the _Horner_ rav’d an’ storm’d; His roofless pow, and gaucy face, Show’d marks of ravage and disgrace; Which added horrer to his mein - A gruguous wight he was, I ween. =The victor squar’d his manly figure, An’ gar’d his gardies whizz wi’ vigour; They rent the air in every quarter, He said, "My lad, ye’ve caught a Tartar;" Syne, wi’ a most tremendous whup, Again he turned the _Horner_ up, Till first his head and neist his feet, In turn cam’ crack against the street; Just like a squirrel in a cage, Or mountebank upon a stage; Wi’ heels ower head, and head ower heels, Ower barrows, benches, stands, and creels; The mulls and cutties flew like drift, The vera stour raise to the lift; The lasses, wi’ amazement skirl’d, As ower an’ ower an’ ower he whirl’d Like whirlegig, or wheel a-spinnin’, The spaiks were like to lift their linen. =The fair was now in dire commotion, Raging like the roaring ocean: Like hail the sweeeties strew’d the street. "Come, hain your siller, pick an’ eat," Was sounded through the busy crowd, A signal eithly understood. =Rob M’Intosh, a Highland piper, Wha thought the crap could ne’er be riper, Wi’ twa three gangrel ballad singers, Began to ply their restless fingers. "O hooly there, ma bonnie bairns," Quo’ John, "Haud aff your theivin’ irons," He shook their doublets and their wallets, An’ gar’d his cudgel claw their pallets; They threw their fangs, and flew for shelter, Content wi’ paiks, to ‘scape a halter. Now wild huzzas, baith lang an’ loud, Were yammert by the gapin’ crowd: They cried, "O had he been alive In seventeen hundred forty-five, When Charlie Stewart, the vile Pretender, Made moyen to be our Faith’s Defender; And marched his legions down our streets, Withouten brichen, sheen, or beets, He’d gar’d them flee like chaff and stubble, And spar’d the English troops the trouble O’ stickin’ baignets i’ the throats O’ hunger-bitten Highland Scots. He loes his King and country weel, And sends Reformers to the Deil, Still as he swills the foamin’ porter, He wishes each a full head shorter." =But Muse, I charge thee, hurry on, An’ let us frae the fair begone; A bolder theme maun swell our lay, A dreadful night succeeds this day, As will be seen in proper time, Provided I can muster rhyme! =The busy day drew to a close: As soon as John had tane his dose O’ whisky punch, and nappy ale, Had smok’d his pipe, and told his tale, He judg’d it far his wisest scheme To streek his houghs and scamper hame. He scorn’d to soak ‘mang weirdless fellows Wi’ menseless bazils in an alehouse; Enough he deem’d as good’s a feast; That excess made the man a beast. The lawin’ paid, an a’ thing snod, He soon was skelpin’ on the road; Quick past the Port and Dummie’s Wynd, The fleetest soon he left behind; Neist by the Loch and Rotten-raw, An’ up the Loan for Arnha’ - His native spot, his peacefu’ hame, The place from whence he took his name, Now render’d famous by his fame. =An’ now the weary westlin’ sun Had kiss’d the tap o’ Catterthun; His hinmost blink shone on the knowes, The lazy mist crap in the hows; The wind was lown, creation still, The plover wail’d upon the hill; The cottage reek rase to the sky; The bat in silence flicker’d by, And moth and beetle, foes to light, Commenced their drousy twilight flight; The ploughmen, now their labour o’er, Enjoy’d the balmy gloamin’ hour, Right wazie wax’d and fou o’ fun, They whisselt down the setting sun; Some slyly slipt to meet their joes, As they came tripping frae Montrose. Ye pauky louns! hale be your hearts, Weel ken ye how to play your parts; For oft that gloamin’, ere she wist, Full mony a bonnie lass was kisst, An’ ran’s as if chas’d by bogles eerie, But soon was clasp’d by her ain dearie; Right blythe to find they were mista’en, They gae their kisses back again; Shame fa’ the saint wad ca’t a crime, Or deem’t unmeet for prose or rhyme. =Now gradual shades of gloamin’ grey Crap gently o’er the partin’ day; The air was sweet - kind heav’n anew Refresh’d the earth wi’ pearly dew; A balmy, soothing, silent shower, That cheer’d ilk herb and fainting flower, Frae morning scowdert i’ the blaze Of Phoebus’ ever darting rays. The hum of stragglers frae the fair Cam’ floating on the peacefu’ air; The robin chantit, frae his spray, A requiem to departed day, In notes sae waesome, wild, and sweet, They gar’d a lightlied lover greet, The blackbird whisselt deep and mellow; A hollow voice cried - "John Finella!" Now straight the hero turned him round To see from whence the eldrich sound; When right a-head, an ancient dame Kyth’d eerie through the twilight beam, Upon a crummock staff she leant her, Fast John cam’ leeshin’ up ahint her, Her coatties past the knees were kiltit, In eldrich notes she croon’d and liltit. The Witche's Song. ="O why sud my auld heart grow sair =To hear the lasses crumpin’ fair; =They’ll hae their day, as I had mine; =Like me they’ll think on auld langsyne; =For I’ve haen sweethearts o’ my ain, =An’ to be dautit I was fain: =They roos’d my glossy jet black hair, =But now my pow’s baith lyart an’ bare; =They prais’d my alabaster skin, =Alas! now wrinkelt, derf, and din; =They said my pawky een were bonnie, =My mow as sweet as heather honey, =But now my een are blear’d and blin’, =My mow conceal’d ‘tween nose and chin; =Full eighty winters thick hae spread =Their cranreughs o’er my palsied head, =Out ower my crummock laigh I bend, =I’m wearin’ to my journey’s end; =I’m borne down wi’ grief and care - =The load of life I scarce can bear. =A wither’d trunk, a leafless tree, =Is a’ that now remains of me; =The days are gane that I hae seen, =Now I maun hirple hame my lane, =Wilyart, waesome, will, and weary, =O what cou’d mak’ my auld heart cheerie! =But wae betide them that wauken my wraith, =I rede them beware o’ trouble an’ skaith; =For tho’ I’m baith cripple an’ hafflins blind, =They’ll rin right fast when they leave me behind." - "Guid ev’nin’ to ye, teethless granny," Quo’ John, "ye’re creepin’ unco canny; Ye’re surely’s auld’s the deevil’s mither - Come, streek your houghs, we’el gang thegither, For nane dare pass and leave auld wives, Unless they’re weary o’ their lives: Yea! how came ye, my winsome dame, To ken Finella was my name; Unless, in compact wi’ auld Nick, Ye’re come to play me some foul trick; An’ troth I scarce believe ye’re sterlin’, For vow ye are an ugly carlin’." =Wi’ hollow voice, and accent cramp, She stammert out - "You bloody scamp! Your deeds, before this time to-morrow, Shall cost ye muckle dool an’ sorrow; And mony sad sights shall ye see, Before in sleep ye close an e’e; Your worthless carcase whilk ye brag on, I winna leave a rotten rag on, But strip ye straight frae head to heel, Ye vaig! like skinnin’ of an eel. For auld’s I am, I can do wonders - If I but wag my stick it thunders, Lightens, rains, hails, or snows, Or ony weather you’ll suppose: A buckie I to sea can rig out, And of an egg-shell make a frigate; Nay, in a thimble skim the flood, Provided it be made of wood; Without a curpin, bit, or saddle, Upon a broom-stick ride astraddle, With which I cut the viewless wind, An’ a’ thing earthly leave behind, Wi’ warlocks whirl at barley-brack: Right round the warl’, as round a stack: Play hide and seek ahint the moon, An’ list her dowie tenant croon; Or mount up to the welkin’s harns, An’ play bo-peep amang the starns! Quicker than hail, by whirlwind driven, I skim the milky way of heaven, Or scud whare northern steamers play, Yet tread this earth ere break of day." =Thrice wi’ her teethless chafts she mumpit, While nose and chin on ither thumpit. Thrice she wav’d her skinny hand, And thrice invok’d the infernal band; Thrice backwards round about she totter’d, While to hersel’ this leed she mutter’d: =Frae the east - frae the wast, =Thunder roar, lightnin’ blast; =Frae the south - frae the north, =Pour wind and water forth: =WiIl-o-wisps! wirrycows! =Warlocks wi’ your lyart pows, =At three quarters after ten, =Hover round auld Martin’s Den. =Elspet, Mauzie, ho! ye hags, =Stride-legs o’er your broom-stick nags! =When the night grows rough and mirk, =Canter round auld Logie Kirk, =When ye hear the Kelpie howl, =Hie ye to the Ponage-pool; =There ye’lI see the Deil himsel’ =Leadin’ on the hounds o’ Hell. =Over mountain, muir, and dale, =Ghaists and spectres, wan and pale - =Riding on the roarin’ storm, =Dance in dread array before ‘m; =The shadows rise! quick! and quicker!! =The tempest brews thick! and thicker!! =Now its time for me to bicker, =For oh! the charm is firm and sicker." Wi’ that her joints began to swacken, Awa’ she scour’d like ony maukin; Ower dykes and ditches swift she frisket, Through bogs and mires she lap an’ whiskit; Sae featly did she wing her flight, In a twinklin’ she was out o’ sight. Wi’ open mou’, John stood an’ gaz’d, At once confounded and amaz’d; His hair on end stack up like bristles, Or like the beard o’ burry thristles; An’ aye as on the road he stoitit, His knees on ane anither knoitit. =Frail man, alack! but seenil thinks, While round him fortune’s sunshine blinks, (And having reach’d that point of fame, Securing him "a deathless name"), That ere ae fleeting hour gae past, He may be streekit i’ the blast; Or lair’d, by spunkies i’ the mire, To dree the Water-kelpie’s ire; Hae a’ his honours frae him torn, And of his maughts, like Samson, shorn; The agent too, mayhap the same, Aye, sure in gender, not in name, Which here is deem’d by much too long Either to be said or sung. =A sudden gloom o’erspread the air, Ilk creature seem’ oppress’d wi’ fear; The harmless bird crap to its nest, And beasts o’ prey retired to rest: Black murky clouds began to muster, And Boreas to rave and bluster; The lightnin’ twinkl’d i’ the air As yet wi’ faint and feeble glare; At distance too, the thunder grummelt, An’ throu’ the welkin growl’d and rummelt, The wind sough’d mournfu’ throu’ the trees, Unearthly sounds swell’d i’ the breeze; Eftsoons the lightning’s languid gleam Blaz’d forth in sheets of livid flame, And objects, shrouded deep in nicht, Burst naked on the wond’ring sicht; On Loan-way path each whalebone post Were instant seen, and soon were lost; And straucht again the groanin’ trees Kyth’d fetchin’ wi’ the balfu’ breeze; The thunder rair’d wi’ furious thuds, An’ blatter’d throu’ the low’rin’ clouds, Still clear an’ clearer ilka flash, Yet near an’ nearer ilka crash; The lightnin’, thunder, wind, and rain, Flash’d and roar’d and dash’d amain; And O, how black the troubl’d air, In absence of the lightnin’s glare. John crap alang. Toward the richt He thocht he spied a cottage licht, And steer’d his course in that direction, Aneath its roof to seek protection; But weary fa’ the faithless licht, It quickly vanish’d frae his sicht, And left him in an eerie swither Glampin’ round, he kendna whither; Again the fleeting taper glanc’d, Again towards it John advanc’d; It flar’d and flicker’d i’ the wind, Sometimes before, sometimes behind; From richt to left - from left to richt, It scatter’d a bewildrin’ licht, An’ in a wink the glimm’rin’ ray Flash’d on his sicht, then died away; Aye Willy-an-the-Wisp was there Shedding forth his nichtly glare, An’ rousin’ keen his fatal fire, To wyle him to the weary mire. =John row’d ower dykes, and lair’d in ditches, Mutterin’ malisons on witches. Neist ower the plain, and down a hill, He heard the clackin’ of a mill; Again the spunkies wav’rin’ licht Discovert to his wildert sicht In boiling wraith, the North-esk stream Thuddin’ onward, white wi’ feam, He heard a voice, wi’ muckle dool, Croonin’ in the Ponage Pool, And this it said, or seem’d to say - "Ah, willawins! alack for aye, O sair’s my back, an’ sair my banes Leadin’ the Laird o’ Marphie’s stanes; The Laird o’ Marphie canna thrive As lang’s the Kelpie is alive." The thunder growl’d in lower tone, As if to let the voice get on. ="God help ye! be ye freend or fae," Quo’ John, "its wrang to use ye sae; To me your griefs ye needna tell, For waes my heart, I’m waur mysel;" When, by the lightnin’s glare, he saw A sight surpassing nature’s law - A stalwart monster, huge in size, Did straucht frae out the river rise, Behind, a dragon’s tail he wore, Twa bullock’s horns stack out before; His legs were horn wi’ joints o’ steel, His body like the crocodile. On smellin’ John, he gie’d a scoil, Then plung’d and gar’d the water boil; Anon he stood upon the shore, And did for vengeance loudly roar. =Now John his painfu’ silence broke, And thus in daring accent spoke; "Stand aff, ye fiend, and dread my wraith, Or soon I’ll steek your een in death: Not you nor a’ the hounds o’ hell Can my undaunted courage quell." When waving straight his club on high, That whisselt as it cut the sky - "See ye, Sir, that gnarell’d aik, Wi’ which if I but gie ae straik Athort the shanks or ower the head, I’d dye the North-esk river red, And make at once the azure flood; One purple stream of Kelpie’s blood; To show how easily I’ll drub ye, See, there I’ve flung away my club, ye, For wi’ my ain twa neives I’ll smack ye Tho’ a’ the deils in hell should back ye; Sae, therefore, if you wish to thrive, Be stepping ! - show your havins ! - dive!! "Yelta billie," quo’ the Kelpie, "I carena for your threats - God help ye! Gae bluster somewhere else, for here Ye maunna think to domineer; If I but grip you by the collar, I’ll gar you gape, and glower, and gollar, An’ thratch an’ thraw for want of breath - Ae squeeze o’ that wad be your death;" When, shakin’ fierce his horny paw, He gae a wild and loud gaffa: Raised sic a rutherair and clatter, The red brae tummelt i’ the water; The brig across the Northesk river Did echo back the sound and shiver. Had Mary Brig been then, I reckon, That brig had frae its centre shaken. ="It is but richt your wraith to settle," Quo’ John, "that you should know my mettle. I’m weel ken’d here an’ far awa - My name is John o’ Arnha’! I slew three hunder Dublin bouchers, For whilk I’m fit to show you vouchers; I gar’d the pows flee aff their bodies, Like nippin’ heads frae carl doddies. I’ve been through Hollan’, Spain, and France, And at Vienna learn’d to dance; I tript it neat in silks an’ satin, An’ to the damsels jabbert Latin; This lingo here but few can speak it Better than a pig could squeak it; But gin ye only understand it, Ye’ll hear how nicely I mowband it; _Rummilforgan bardinarus_ _Hoo nig fig gnippiti gnarus_ _Drumhargelbargum skipperatis_-" The Kelpie scronnocht "_Punctum satis!_ Your crack-jaw words of half an ell, That rumble like a witch’s spell, Are nae the leed of ony tongue, That ever in a head was hung, Sin lingo was confused at Babel; They mind me of a Turkey’s gabble." =Quo’ John, "They’re Latin, but by jingo, Ye’se get the rest in haimert lingo; Sic’ themes were never made to suit Your dozen’d lugs, ye duxy brute: An’ you that aye ‘mang water buller, How can you be a classic scholar! In Africa I’ve preached to pagans, At Coromandel danc’d wi’ dragons; On India’s plains I’ve ruled mullatoes; At Etna’s flames, I’ve roas’n ‘tatoes; I’ve seen it spew its liquid lava Ower a’ Jerusalem and Java, And rain, in hellish showers, its danders On Holland, Poland, France, and Flanders; I in its wame heard Vulcan ruddy Upon his triple tempert studdy - A limpin’ spaviet bruikit wicht, Wi’ oily hide - a perfect fricht; He swat and yarkit wi’ his hammer, The sparks flew frae his steel like glamour; Twa black, outlandish gruesome fellows, Were puffin’ at his smiddy bellows; Upo’ the richt a mighty stove For forgin’ thunderbolts to Jove - This nicht they’re whizzin’ through the sky, Sae better to you mind your eye." Said Kelpie, "That I’ll take my chance on, But faith, I sadly dread ye’re scancin’; I mark him for a smeerless dolt, Wha’d jouk t’ eschew a thunderbolt; Let rain descend and tempests roar, I’ll meet you on this dreary shore; Though lightning blaze and thunder rattle, I’m here prepared to give you battle; I charge you braggart to prepare For deeds of might - not words of air." ="I ne’er," quo’ John, "like some, grow vain, Or fecht my battles o’er again; I only dinna wish to cheat ye, To raise your wrath and syne defeat ye; It’s meet, before the battle rage, You ken the foe ye’ve to engage. I scorn a’ leears and their lees; I’ve been on islands made o’ cheese: Cross’d lakes o’ bladdo milk and whay, As braid and deep as Forth and Tay. Frae Catterthun to Copenhagen I rade upon a fiery dragon. (Right through the air like _Sancha Pancha_, And brave _Don Quixote de la Mancha_), Ten mile o’ tail hung at his rump, Compar’d to some ‘twas but a stump. Upon the sedgy banks of Nile I’ve tiltit wi’ the crocodile; Wi’ unicorns and alligators, Fell tygers, elephants, and satyrs. Like Hercules, the wale o’ men, I’ve dar’d the lion in his den: When vengeance throu’ my peepers glowr’d, The stately monarch fawn’d and cowr’d, An’ creepin’, lickit at my feet, Like ony collie on the street. Upo’ the coast of Labrador I’ve heard five hunder kelpies roar - Five thousand faith! - the deil ane fewer, And each ten times as big as you are; I offer’d battle to them a’ - The cowards youl’d and ran awa’." (The kelpie "grinn’d an eldric laugh;" An’ rubb’d his hooves upo’ the haugh); Quo’ John, "ye needna scrape and nicker, I’m neither fey nor waur o’ licker; I tell the truth - and hark ye sirrah, I slew upon _Del Feuga Terra_, A Giant, in height twal ell some inches, An’ sax between the oxter kinches; Lang fresh he lay preserv’d ‘mang snaw, And frosty winds that there aye blaw; But vultures pick’d his big banes bare, And lined their nests wi’s blood-stain’d hair; Compar’d to him ye’re but a dwarf, The wind o’s neives had gar’d you swarf - This very day too, i’ the market, Five hunder sturdy hides I yarkit; Between the shore and Kittlenakit, There’s few but I baith pran’d and paikit, Spar’d neither man nor mither’s son - Yea, claw’d the back o’ _Horner John!_ Sae clean and snell the cracks I gaed ‘m, The heels flew ower the ugly head o’m; And tho’ ye be the water-kelpie, I’ll wad my whittle I sall skelp ye." =When castin’s coat, he spat in’s looves, And bade the Kelpie use his hooves; In dour conflict the parties clos’d, Head to head - hands to hooves oppos’d; Teugh was the tulzie, and for lang Success in equal balance hang. The Kelpie tried wi’ John to grapple, But Arn caught him by the thrapple, And gar’d his carcase sweep the stanners, Whilk made a noise like corn fanners; He puff’d an’ blew like ony whale - He scourged the water wi’ his tail, An’ threush on John as wi’ a flail. John pran’d him down among the mud, And bade him lash his ain heart’s blood, That ran in torrents frae his side, And chang’d the colour o’ the tide. =The fiend, forjeskit, tried to ‘scape, Throu’ frequent changin’ o’ his shape; In various forms he did appear, Sometimes a horse, sometimes a deer - A wren - a hawk - a goose - a fox - A tender lamb, or pondrous ox - A ravenous wolf - a tim’rous hare - A savage lion, or growling bear; Then straight began to dive and frisk Throu’ and throu’ the troubled Esk; Row heels-o’er-head upo’ the banks, Wi’ mony sic unseemly pranks, An’ nicker, bark, squeak, grunt, and gabble, As he’d taen out’s degrees at Babel: But a’ his airts could not avail him, In every shape did John assail him; And to ilk bellow, roust, and roar, He lustily cried out, encore! Till echo, for ten miles around, Did to the horrid scoil resound. =Now terror siez’d the Kelpie’s soul, An’ for assistance he did yowl! At’s call anon haill legions drive Like swarms o’ bees frae out a hive; Like midgies after summer shower, (Frail tenants of a fleeting hour); Or like the locusts sent on Pharaoh, Enough the stoutest heart to harrow. A thousand phantoms skimm’d the breeze, "As thick as mites in rotten cheese;" Not harmless spirits, boding luck, Like Robin, Mustard-seed, or Puck; Or Brownies, aye discreet and civil; But a’ intent on working evil. =In wild array, the warlock men Held orgies in Saint Martin’s Den; Deep i’ the glack, and round the well- Their mystic rites I canna tell; None form’d of flesh, e’er dar’d to scan The secrets of their dark divan. =Towards the west, auld Logie Kirk Threw livid gleams athort the mirk; The boards o’ coffins fed the flames (New houkit by the weirden dames), Whilk, dipt in sulphur gae them licht To hatch their spells by magic’s sleicht; They blaz'd and crackelt i’ the blast, And round a ghastly glimmering cast; The last remains of human clay, That in the grave’s dark chambers lay, Were turn’d up to the pale blue licht; The smell was loathsome - dire the sicht; The skulls, and banes, and boards in cairns, Lay scatter’d round amo’ the ferns, The hags, wi’ mony a "horrid stave," Gaed whiskin’ round ilk herriet grave. The corbies scraight - the owlets scream’d, A gusty cawdron boil’d and feam’d, In which the beldames, eident, threw Ingredients hideous to the view; An’ ay’s they steer’d them wi’ a theevil, They mummelt "crowdy for the deevil." And for a theevil they did use A sturdy stump o’ knotty spruce. Wi’ whilk a son came crash, O vow, Outower his father’s bare auld pow! An’ still the faithfu’ bark retains, The sacrilegious sinfu’ stains, Of lappert blood and human brains. =The thunder roar’d - the sweepin’ blast, Their reekit riven rags, blew past, An’ show’d their parchment thro’ the glim, Reistit, squalid, swarth, and grim; The skin hang down in shrivell’d flaps, Like spleuchans o’er their teethless chaps; Throu’ skinny lips their blasted breath Mix’d wi’ the wind and smelt of death. A waesum, wild, wanliesum sicht, Enough to quench the fires of nicht, And blanch the lightning’s livid licht. Nae "winsome wench" was there, I ween, Like _Cutty Sark_, to cheer the scene, But blackest horror reign’d profound, And threw its veil o’er all around. =Wi’ breathless terror, and with awe, John spied what cow’d him warst ava’; The dame wha ga’e him sic a fricht, An’ frae the Loan-head took her flicht; The hag that vow’d to work his ruin, And set the hurricane a brewin’: "Elspet, Mauzie, fatal sisters, Of the thread o’ life the twisters" - She cried "come quickly, let us brew Frae hemlock, hellebore, and yew: And by the cauldron’s paley leam We’ll do the deed without a name; Let each fling in her darge of death, To ‘nick the thread and choke the breath.’ But are ye sure he hasna pass’t." ==ELSPET. I smell the braggart i’ the blast. ==MAUZIE. Then, sisters, here’s a bishop’s gizzard - ==ELSPET. The tongue of Michael Scott the wizard. ==GRIZZEL. Three yauldrin’s eggs, wi’ devil’s blood; Five draps in each, ere since the flood. ==MAUZIE. Three brander’t bats, weel stew’d and slic’d, Wi’ stour o’ dead men’s een weel spic’d. ==ELSPET. Twa howlet’s een - a corbie’s maw; - The gullet of a hoodie craw. ==MAUZIE. Scum the cauldron - feed the fuel - Come, steer about the smervy gruel. ==ELSPET. The liver of an unspean’d kitten - ==MAUZIE. The thumb o’ Faustus’ doddy mitten. ==GRIZZEL. The kaim and bells of cock that crew Ere morning night’s black curtain drew. ==ELSPET. The dying drops by Voltaire sweaten. ==GRIZZEL. The gagger lip o’ Card’nal Beaton. ==MAUZIE. From wand of Sidrophel a sprig - Three curls of Justice Jeffries’ wig - Wi’ nine draps of his black heart’s gore, Extracted frae the very core. ==GRIZZEL. Weel done, Mauzie, that’s a spell Wad conjure a’ the deils in hell; Pour the heart’s blood, drop and drop; See how it flares upo’ the top! Three an’ three, an’ three, make nine, - Steer about the hellish brine." =They scum’d the cauldron, fed the fuel - They steer’d and pree’d the smervy gruel. The mair they steer’d, the mair they pree’d, The mair increas’d their hellish speed. They flang and lap, an’ lap and flang - Fleyt and yammert, grat and sang - Flew ower and ower the dreary biggin’, An’ raid stride-legs upo’ the riggin’. O mercy! what a shamefu’ sicht - The bats and howlets scream’d wi’ fricht; Wi’ mony wild, unearthly cry They skirr’d alang the blazin’ sky. =Wicked hags, abhorr’d and shameless, Your ither pranks shall here be nameless; For vow! your cantrips to hae seen Had petrified a priest to stane; An’ flesh wad creep to hear it utter’d, The sinfu’ jargon that ye mutter’d. Ay, legs wad totter - knees wad bend - Blood leave the cheek - hair stand on end - Cauld sweat distil - the bleach’d lip quiver; The haill machine wad shake and shiver; Een wildly stare, and stout hearts fail, To hear sae strange sae wild a tale. =The vagrant dead, a gloomy host, Now march’d frae Pluto’s "dreary coast," And onward scour’d, in waefu’ train - The shades of those wham John had slain. Three hundred fleeting forms, and more, A’ grim in death and soil’d wi’ gore; Goblins whinnert thro’ the air Wi’ chowlin’ chafts and burnin’ hair; Gruesome fiends, black, gruff, and grim, Weel charg’d wi’ brunstane to the brim; Daemons, dragons, spectres dire, Spewin’ reek, an’ riftin’ fire; An’ grisly ghaists, and "devils damn’d," Wi’ liquid fire and sulphur cramm’d, Flew to the spot, and full in view Danc’d round poor John th’ infernal crew. New murder’d corses skimm’d the heath, Wat wi’ the cauld dew-draps o’ death; They glided past like snaw or sleet, There faces pale’s their win’in’ sheet; Some glowr’d and thratch’d, in deadly thraws, Wi’ death-fix’d een and open jaws; Syne glampit at the vacant air, An’ vanish’d wi’ the lightning’s glare. =Now grimly kyth’d amang the crew "The master-fiend that Milton drew." He dought appear in ony shape, Down frae a Titan to an ape, Or, as his whimsies might prevail, Up frae an emmet to a whale; Or less, or bigger far than either, Or in nae shape ava thegither; That night, albeit, wi’ solemn air, He filled the Judge’s sacred chair; To mete out _justice_ to his _lieges_, His _gravity_ was most prodigious; Wi’ specks on nose, and three-tail’d wig, The wary fiend loom’d bluff and big; Dark lurid clouds around him hung, And vengeance hurtl’d on his tongue; His wig, wi’ sulphur powder’d well, In ringlets o’er his shoulders fell, Upon a robe of sable hue, Made frae the stuff that never grew- That ne’er was spun by mortal hand,- The produce of another land! The forkit lightning form’d his _chair!_ His _bench_, a murky cloud of air, Condens’d in form, it stood before ‘m: Chief justice of th’ infernal _Quorum_. Swith wi’ ae glance the motley crew Were rang’d within his eagle view. =Alack-a-day! waesucks for John! His mergh an’ mettle now are gone; Courage, vigour, might, and glory, Are fleeting all, and transitory; Naething steady here is found- The very earth itsel’ flees round, Just like a tap, or whirliegiggin’, That fouk can scarcely keep its riggin’, But are in danger, O Gude guide us! Of being toss’d on _Georgium Sidus!_ Forc’d to a comet’s tail to cling, Or whirl round on Saturn’s ring. =Nae man can be a man for ever, The hour is come and John maun shiver, And shake like willow wi’ the wind, Or Quaker after having sinn’d; For wha cou’d fecht wi’ forms o’ air, Or ware their flesh on banes sae bare? An’ weel kend he, it was nae joke To tig wi’ fiends that vomit smoke; Or yet wi’ wirrycows to mingle, That brunstane beish, or bock up ingle. =He stood aghast, in waefu’ case, Wi’ duntin’ heart and ruefu’ face; Tho’ still he strove his fears to hide, He thocht upon his ain fire-side; How neighbour _Tam_, secure frae harms, Lay sound asleep in _Elspa’s_ arms, While he was daidlet like a wonder, Drench’d wi’ rain, and deav’d wi’ thunder; And piercing wind, and lightning’s sheen, Were like to blind his lookin’ een; In danger, too, at ilka breath, Of being "claid in his last claith;" For sic a crew wad thocht nae sin To "birze his saul ayont the skin;" Or lang before the night was done, To douk him deep in _Acheron_. =Ahon! for man’s uncertain state! What waes on life’s grim journey wait! What dangers are we doom’d to brave "Between the cradle and the grave!" =The chieftain now, wi’ yell and whoop, To order call’d his grisly troop; "Thrice he yowl’d throu’ lungs o’ leather," To bring the ghastly bands thegither. This done - for music loud he roar’d;" A sullen voice growl’d - "Yes, my Lord;" And in a wink before him stood A figure neither flesh nor blood. At first the mirk obscur’d its form; It hover’d dimly through the storm, And whisper’t John, "Know, to your cost, I am the Patagonian’s ghost, Whom you in _Terra Fuego_ slew, Musician to this hellish crew. If I had only play’d my spring, I’ll gar your ribs, you rascal, ring, As ye did mine upon Cape Horn: Ye’se never see the light of morn." =When lo! a flash o’ livid light Unveil’d him quickly to the sight. He tower’d aloft, just like a steeple; Or say, like Saul aboon the people; His een were dismal, hollow sockets, "As empty as a poet’s pockets;" I mean a poet in days of yore, For now they’ve gowd an’ gear galore; But muses vile, their lays inspire, When Pegasus is rode for hire! Howe’er so sweet they spring from art, Gowd fires the head, but chills the heart. =Sae fares it, _Wattie Scott_, wi’ you, Ye "piper to the bold Buccleugh," Ye "Screw your pipes, an’ gar them skirl," Till siller frae our pouches birl. Ye write baith in an’ out o’ season, Three verse for _rhyme_ to one for _reason;_ It’s true your lines rin smooth an’ clink weel; But oh! you like the bookman’s chink weel! As soon’s ye clench each flowing line, Twa gowden guineas clink and shine: They charm your _ear_, they charm your _eye_, "With all a poet’s ecstacy." Heavenly music, heavenly fire, Eneugh auld _Plutus_ to inspire, Or gar the Deevil streek his lyre; E’en poesy draw from Turks and Jews, For gowd may sometimes fee a Muse. =O shame upon your venal lyre, It heats my vera blood to fire, To hear your fulsome partial praise Peal’d through "Don Rod’rick’s" lofty lays! There _living_ heroes ride sublime Upon the surge of flowing rhyme; But weary fa’ your tunefu’ tongue, The _dead_ lie silent and unsung; Wi’ foreign mools deep cover’d o’er Upon Corunna’s dreary shore. =Belike they mauna grace thy page That canna yield thee patronage. =I grudge not WELLINGTON his fame; I grudge not BERESFORD a name; Or "glory to the gallant GRAEME!" But should not every honour due Be paid the dead and living too? By Heaven! I swear ye’re sair to blame? That MOORE should "rest without his fame." How could you, Scott, forget the grave Where sleep the ashes of the brave? But yet, Sir, glory’s wreath shall bloom Around his hallow’d, silent tomb; And streaming eyes shall view the spot, When "Rod’rick’s Vision" is forgot. =You seek the court, and flee the lawn! To wealth you cringe - on power you fawn! Pour incense at the courtier’s shrine: Wi’ you, the Great are aye Divine! You dinna "sing to village churls, But to high dames and mighty earls." Then sing, Sir, to the rich - the great - The proper gudgeons for your bait: Help Southey wi’ his _Birth-day Odes!_ Make princes angels, victors Gods; And as you greet the royal ears, Forget not, oh! to "rend the spheres!" And give them honour, grace, and glory, As I do in this humble story. =For _you_ to fawn sae, ‘tis a shame! Indeed poor Southey’s nae to blame; For wha could Laureate be appointit That wadna laud the Lord’s anointit - His ministers and a’ their measures, The pomp of princes and their pleasures; That wadna gloss ilk public greivance, And screen the hirelings of St. Stephen’s; Nay, laud a _spy_ or ruthless _jailor_- But wae betide thee, "_Watty Tyler!_" Thou’st laid the Laureate on his back, An’ gard him shiver for his _sack:_ It’s true, dear Bays, and well you know it, Yet still you are a pretty poet; I therefore pray thee to excuse The havins of a hamely muse: She ne’er was taught finesse or fawning, Like _Castlereagh_ and _Mister Canning_. =It’s easy for the "best of kings" To deal about his straps and strings, And ony courtly cringing wight To dub a Marquis or a Knight; Or to create, by the same rule, A Renegade his _poet_ and _fool!_ A sordid elf, to pipe for pay; In politics the _Priest of Bray!_ But can he mak’ an HONEST MAN?- Ah! sorrow fa’ me if he can! So sang the Bard, now dead and gone- Poor BURNS! Apollo’s dearest son! "‘Tis said, and I believe the tale, His humblest reed could more prevail- Had more of strength, diviner rage, Than all that charms this laggard age." Yet still a narrow-minded few, A feeble, canting, creeping crew, Conspire to blast his honest fame, And heap reproaches on his name; Because, alas! the Bard has shown Far finer feelings than their own, He wasna just a saint like Southey, That never sinn’d nor yet was drouthy: What tho’ he lik’d a social glass- What tho’ he lo’ed a bonnie lass?- He ne’er disgrac’d his well strung lyre, By chaunting balderdash for hire; Nor roos’d he ony courtly elf, Or bow’d the knee for warld’s pelf. The mavis as she hails the morn, The speckl’d gowd-spink on the thorn, The lark, on dewy pinions borne, Pour forth their lays for sic reward As did their kindred rural bard; Ae kindly blink o’ Jeanie’s e’e O’erpaid him for his minstrelsy. His tale is told, his song is sung- Deaf is his ear, and mute his tongue; The pigmies now may safely rail- He canna answer for himsel’; And if he dought, wha wad hae dar’d To tamper wi’ the mighty Bard? It wad be folly in a wren To beard the lion in his den. =Wae worth the Bard, again I say, That sings for guerdon or for pay. =Now, by my fay, I’m going bonny on, I’d maist forgot the Patagonian; Like Butler, wi’ his bear and fiddle, I’ve left the subject i’ the middle; But to my story now I’ll fast stick; I mauna fa’ the Hudibrastick. =Well, soaring o’er the squalid host, We left the giant’s grimly ghost; Like the oak above the underwood, In majesty the spectre stood. =His banes were bare, and bleach’d like linen, While ev’ry art’ry, nerve and sinnen, Were screw’d in concert, flat and sharp, To whistle like the AEolian harp. Ilk tendon, taght like thairm, was lac’d; Twa wounds, seem’d sound holes, on his breast; And as the wind at times fell low, Or ceas’d a hurricane to blow, His fingers then supplied the blast, As o’er the twanging chords they past; And neither thunder, rain, or fire, Could e’er untune that awsome lyre. =As soon’s he rear’d him to the storm, His shrivell’d fibres ‘gan to mourn; And frae his hollow trunk soon came out A’ the notes upo’ the gamut. First dismal sounds of deep despair Burst hollow on the troubelt air, Join’d by the minstrel’s vocal tones- Unearthly wails, and dolefu’ groans; The air was sad - the key was low- The words were wild - the measure slow: Anon he trill’d it, light and airy, Sweet as the harp of ony fairy, When lightly trip the tiny crew O’er hillocks green, and tipple dew; As if to show his lyric skill, And that the tones were at his will: But voices grummelt, "Please your honour, We canna hear him for the thunner!" When Sathan bellow’d, fierce with ire- "You duxy lubber, brace your lyre! Still higher yet! you fiend, play higher!!" =Now, swith wi’ vir, he whirl’d him round, An hideous instrument of sound! His fleshless fingers swept the lyre With all a minstrel’s force and fire: Oh then, indeed! the coil began, Sic sounds ne’er reach’d the ear of man: From right and left, before, behind, He flang his music on the wind; In whispers, sighs, loud yells and screams, Such as are heard in devil’s dreams; Eldrich, eerie, uncouth strains, That turn’d a’ their heads and brains: Till midnight hags did round him gallop, An’ gard their wither’d hurdies wallop! Hobgobblins round an’ round him whirl’d, Auld grey-beard warlocks lap an’ skirl’d, Pou’d the hair frae ithers’ pallets, And tore, in wraith, the witches’ callets! The lightnin’ flash’d - the wind blew sharper, Louder squeel’d the fleshless harper! O’er treble height he rais’d his lays, The thunder growl’d a double base! ‘Till swith inspir’d by his ain lyre, He up and till’t himsel’ like fire- Hurra’d, an’ cheer’d, an’ feez’d his chanter, An’ lap, like Meg to Rob the Ranter! Shook his brainless skull in passion, And roar’d like ony bull o’ Bashun. As thro’ the mazy dance he whirlt, The vera ground beneath him dirlt. Still loud and louder howl’d the storm- The harper skirlt up "_Tullochgorum_;" Follow’d fast by "_Callum Brogie_," "_Delvin Side_," and "_Boat o’ Logie._" Wi’ vengefu’ vir, and norlan’ twang. Till a’ his banes and fibres rang; An’ a’ the devils in a ring Yarkit up the Highland fling; They yell’d and whiskit round and round And duntit wi’ their paws the ground; "The vera moudiworts were stunn’d:" E’en Sathan seem’d to enjoy the sport; He cried, "My hearties, that’s your sort; Come, keep it up, my jolly boys! Nor let me interrupt your joys; Ill wad it suit my robes and wig, To whirl in a waltz or jig; But be assur’d, neist haly night, I’ll skelp it up wi’ a’ my might: Fandangos, ‘jigs, strathspeys, and reels,’ Ay, till the fire flee frae my heels." The Assembly echoed their applause, And cheer’d him thrice wi’ loud huzzas! The vera ghaists play’d antic pranks, They screight an’ shook their spindle-shanks! An’ lent each other ruthless paiks Athort the bare and merghless spaiks; While still, at ilka thud and sough, They cried, "weel done! - hey! - hilloa!! - whoogh!!!" Clappit their wither’d hands an’ leugh, ‘Till, ‘mid the din of dance and battle, Their banes were heard for miles to rattle! Beatin’ time, expert and nimble, Douff like drum, and snell like cymble;. An’ aye’s they fell to crockinition, Their wizzent timbers stour’d like sneishin; An’ flew, in duds, athort the lift, As choakin’ thick as yowden drift. =Puir John was fain to clear their range, or Sooth his ribs had been in danger; For mony a time, when eident loupin’ They slyly tried heels up to coup ‘im; An’ fidgin’ fain to try his mettle, Did mony a lerrup at him ettle; But Belzie bade them stand aloof, Till of his guilt they brought some proof. =When lo! a Spectre, lank and pale, Advanc’d to tell his waefu’ tale; Wi’ mony a scar his visage frown’d, His bosom gash’d wi’ mony a wound: His een were out, but thro’ the sockets The lightnin’ play’d like Congreve rockets! His maughtless hands on’s thigh-bones clatter’d, His fleshless jaws on ither chatter’d, The wind sang thro’ his sapless form, Which rockit to the roarin’ storm, And issuing mony a dreary sound, Join’d concert with the scene around. "Grim King of brunstane, soot, and fire," He said "I come at your desire; An allagrugous, gruesome spectre, A’ gor’d and bor’d, like Trojan Hector: How slim and shrivell’d is that corpus, That ance was plump as ony porpus; In darkness, and on whirlwinds borne, On me ne’er blinks the light of morn; Nor zephyrs, blawn by breath o’ day, Can on my pallid carcase play: My flesh, devour’d by hungry worms, Has left my banes to dree the storms Of wind and rain and fire ‘s you see - O mercy! what will come o’ me." =He shook, convuls’d, and strove to cry- His tears were drain’d - the source was dry; The rain ran down his cheek-banes, clear, Unmingl’d wi’ ae briny tear; His moisture a’ was drunken up, And bitter, bitter was his cup: Deep frae his breast came mony a groan- He paus’d a while, and then went on: "Ance dear to me the morning ray- Ance dear the radiant beams of day; And sweet the gloamin’s purple gleam That dy’d the bosom of the stream; But now, mair welcome to my sight The darksome hues of dreary night, And a’ that nature’s face deforms, Dire earthquakes, famine, fire, and storms; I carena though this globe should moulder, An’ a’ creation gae to sculder!" =To whom the chief - "Your murmurs cease! I see the hardship of your case; But this is not the point in hand- Come, tell me quickly, I command- Upon your oath - if that’s the man Who circumscribed your mortal span?" (His right hand, pointing streight to John, Who clos’d his eyes, and heav’d a groan). He swore - then said, "May I be scourg’d If I am not of malice purg’d, And eke revenge, and partial counsel, Albeit the brute has used my sconce ill; Wi’ mony words I winna deave ye, Mark down _depones affirmative_." Syne chowl’d his chanler chafts at John, And vanish’d wi’ a’ dolefu’ groan. John chowl’d again - and cried, "I scorn ye, Ye shadow of a sly attorney; If such as you I’d only slain, My arm had ne’er been rais’d in vain." =Swith, wi’ a low and hollow sound, A Figure startit throu’ the ground, And rais’d baith yird and stane upright: O vow! it was an awsome sight. A headless trunk, in anguish, stood, Sair bor’d wi’ wounds, and smear’d wi’ blood: Ae arm a stump - the ither bore The gausty pallet, grim wi’ gore. He loutit him wi’ due respeck, An’ toutit throu’ his hummel neck: His speech was eldrich and uncouth, ‘Cause, losin’s head, he’d lost his mouth: He spake a language, rough and rude, Yet he was eithly understood. The Judge exclaim’d - "Enough! retire!! And hark ye! raise a rousin’ fire!!" He flang at John the gory pow, An’ disappear’d a’ in a low. =The Harper, in a mournfu’ strain, Sang how by John he had been slain; And how he lay upon Cape Horn, His flesh by rav’nous vultures torn; Sang how they pick’d his banes sae bare, And plucket frae his pow the hair To nestle saft their savage young: A dowie sang as e’er was sung. An’ how, without a’ earthly motion, His ghost had cross’d the Atlantic ocean, Five thousand miles frae his cauld hame, Swift gliding o’er the saut sea feam; While, as he skim’d the ocean along, He harpit to the Mermaid’s song; And he harpit high, and he harpit low, As the air was calm, or the wind might blow; Until his will and weary ghost Came bump against the _Scotian_ coast; And soon by the breeze frae the land he smelt It was there where his bloody murderer dwelt, More he said ‘twas bootless to tell, The rest was known to Nick full well. Here the _Justice_ nodded assent, And harping away the Minstrel went. =The Kelpie likewise gae his aith, That John had tried to stap his breath, An’ did misguide him past resistance, Afore he roar’d out for assistance. =Now mony a gaunt and shadowy form Rode hideous on the roaring storm; In grim procession, rank and file, Their line extended mony a mile: They pointed to their gaping wounds, And skim’d alang wi’ eerie sounds: As each pass’d John in sad review, The blood stream’d frae his wounds anew, Which, plainer told than words might tell, ‘Twas by his murd’rous hands they fell. =Like vision in a Prophet’s dream, The chief bestrode the North-esk stream; Ae foot in Mearns, and ane in Angus (Lord keep sic gentry out amang us!): Colossus-like, he tower’d on high, Till, wi’ his wig, he brush’d the sky; Then, loud as thunder, roar’d out "Havock! The sound rang throu’ the hill o’ Garvock; O’er Marykirk and Coble-heugh, And down the dale wi’ hollow sough; While Craigo woods, and Martin’s Den, Re-echoed "Havock" back again: Loud howl’d the yawning caves of nicht; The watch-dogs yirr’d and youf’d wi’ fricht; The foxes wildly yowl’d wi’ wonder, And whing’d, and cow’rd, and left their plunder; The timid teuchit slouch’d its crest, And cuddled closer to its nest; The watchfu’ mate flaff’d i’ the gale, Wi’ eerie screech and plaintive wail, Now soar’d aloft, now scuff’d the ground, And wheel’d in mony an antic round; The trouts div’d deeper i’ the brook, The hare, like ony aspin, shook, And mortals quak’d on beds of fear, As echo pierc’d the drowsy ear; Their rest disturb’d - they wist not how, The clammy sweat stood on the brow; They hear’d the wind and beating rain, An’ dover’t o’er asleep again. Wi’ mony a sigh and dolefu’ grane, John gaz’d stramulyert on the scene: Dim wax’d the lustre o’ his e’e, He guess’d the wierd he had to dree; Ilk creature’s dread ‘twere vain to tell, E’en frae the benmost bores o’ hell, The damn’d rebellow’d back the yell! Like lions prowlin’ for their food, Or tygers bath’d in human blood; Grim furies spread their forkit fangs, An’ drove at John wi’ furious bangs: Neist witches claught him in a crack, An’ roove the duds frae afT his back; The spunkies round his hurdies hirsel’d, Till’s vera hide was peel’d and birsel’d. Wi’ wicked glee the warlocks dous’d him. And splash! into the river sous’d him! Oh! never sin’ he first was cradelt, Was John sae sadly dung and daidelt. Again they trail’d him to the shore- For mercy he began to roar: In turn the Kelpie cried, "Encore! Mercy! surely! ha, ha, te hee! Sic mercy as you show’d to me! Sic mercy as you show’d the Bouchers- Ow! whare’s your _Latin_ now and _vouchers_, Your fiery dragons and mullatoes, Your burning mounts and roas’n ‘tatoes! Your silks and satin, fibs, and scancin’, Your airy flights, and foreign dancin’: We hae ye, billie, i’ the grip, An’ damn the dog that let’s ye slip; As lang’s the blood runs i’ your veins, Or, while there’s flesh upon your banes: You never mair shall see your hame; Nay, from the book of life your name, Before the cock proclaim the morn, Is doom’d to be eras’d and torn." =Now fierce each miscreated form Career’d upon the mid-night storm, Around their prey, wi’ ghastly grin, And stunn’d his ears wi’ horrid din: They gnash’d their teeth, and spat and snor’d; Some squall’d like cats - some hoarsely roar’d; The wildest howls, compar’d to theirs, Might seem the music of the spheres. Earth trembl’d thrice! another shake Had clear’d the cuff o’ Atlas’ neck, And launch’d this mighty Ball apace, To range the bounds of endless space. It cogl’d thrice, but at the last It rested on his shoulders fast. =Still, huge in stature, stood the chief, Like Lochnagar, or Teneriffe; When clouds upon their summits lie, They seem to prop a low’ring sky: He loudly howl’d - "Ye furies catch him, And to the sooty regions snatch him: Swith! do your work - flay, blast, and burn, The hour that severs night from morn Is on the wing and soon ye’ll hear The silver voice of Chanticleer: Then haste before the dawn of day Deprive us of our lawful prey- Come! clapperclaw him while ye may." =Now a’ the crew prepar’d at ance To shower a volley on his banes, And peal’d forth sic an awsome yell- He swarf’d wi’ fear, and senseless fell Upon the sward, wi’ hollow groan, And lay as cauld and still’s a stone; While, in their reckless random speed, To number him among the dead, The fiends row’d ower him where he lay, And grappelt ither for their prey. But, ere he met his final doom, Aurora peep’d athwart the gloom; The grey cock clapp’d his wings and crew- The Harper loud a parley blew; The morning air sang i’ the blast;- The hour of retribution’s past! And helter-skelter, swift aff flew The Deil an’ a’ the infernal crew: They scream’d - then vanish’d frae the sight, Like empty visions o’ the night. The bleeding shadows of the slain Fast glided to their graves again, A’ cauld and pale, as snaw-flakes driven Athwart the dusky arch of Heaven, When winter waves his frozen spear, And sternly rules the "varied year;" And wing’d, with speed, the fiendish host Betook them to another coast; But what that coast, or where it lay, Is not for silly Bard to say. =And now the thunder ceas’d to roar, The forked lightning flash’d no more: Rain ceas’d to fa’ - the wind to breathe, An’ a’ was calm and still as death- A’, save the rushing o’ the stream, And past events seem’d like a dream. ===----- =No farther light the record gives, Save that the valiant hero lives, A pilgrim on this mortal stage, And has attained a good old age; That it hath been his happy lot _Five times_ to tie the nuptial knot: To be the spouse of five sweet flowers As ever blush’d in bridal bowers; A dire reproach to every dunce That never grac’d the altar _once!_ Lang may he live, unvex’d with care: "None but the brave deserves the fair;"- Lang may he live, baith hale and sound, And never feight another round, "Till Death slip sleely on, and gie the hinmost wound." THE MURDERIT MYNSTRELL. HOW sweitlie shonne the morning sunne Upon the bonnie Ha’-house o’ Dun: Siccan a bien and lovelie abode Micht wyle the pilgrime aff his road; But the awneris’ hearte was harde as stane, And his Ladye’s was harder still, I weene. They neur gaue amous to the poore, And they turnit the wretchit frae thair doore, Quhile the strainger, as he passit thair yett, Was by the wardowre and tykkes besett. Oh there livit there ane bonnie Maye, Mylde and sweit as the morning raye, Or the gloamin of ane summeris daye: Hir haire was faire, hir eyne were blue, And the dymples o’ luve playit round hir sweit mou; Hir waiste was sae jimp, her anckil sae sma, Hir bosome as quhyte as the new-driven snawe Sprent o’er the twinne mountains of sweit Caterthunne, Beamand mylde in the rayes of a wynterie sunne, Quhair the myde of a fute has niver bein, And not a cloud in the lift is sein; Quhen the wynd is slumb’ring in its cave, And the barke is sleeping on the wave, And the breast of the ocean is as still As the morning mist upon Morven Hill. Oh sair did scho rue, baith nighte and daye, Hir hap was to be thiss Ladye’s Maye. =Ae morning a Mynstrell, aged and poore, Came harping to thiss Ha’-house doore; His heart seimit light, thoch his hewit was bare, And spairlie covent wi’ thinne quhyte haire; His bearde adown his bosome fell Streamand like snowe in a wynterie gale. Sae sweit and blythesome was his laye, The gowd-spinke dancit upon the spraye; The lint-quhite chirpit frae the busch, And sweetlie sang the lark and the thrusch; Quhyle dyght in grein, the fairie crew Dancit frae the grass the morning dew, For the daemons of nighte had taken their flighte As soon as they saw the morning lighte, And the ghaistis had left the drearie yewe; Oh they trippit sae lightlie over the lea, Thair nymble feet scant mocht ane see; Thair doublettes were grein, as grein mocht be, And they shonne in the sunne lyke the Spainzie flee. And aye the Mynstrell harpit and sang, Till his notes throu’ ilka chamber rang: Thoch decrepit, forlorne, and raggie was he, There was merghe in his fingeris, and fyre in his e’e; Thoch his voice it was broken, and tremmult full sore, He sung Caledonia’s battels of yore; Hir mountains sae wylde, and her sweit smyling playns, And the graces and luves of hir nymphs and hir swayns. He brushit the wyre wi’ mickle glee; He lyltit his notes righte merrilie, As giff nae dolowre michen he dree. =The Ladye of Dun scho rung hir bell- "Quhat noyse is thiss - pray quicklie tell; Quhat meins thiss lylting and deray? A bonnie-lyke rippit thiss, by my fay!" -"A Mynstrell, Madam, aged and poore," Quod the Damischell, "is harping at the doore: And oh, my Ladye, I’m wae to see him, And wishe I had onlie somethyng to gie him, For his doublette is raggie, his hewit is bare, And the wind sings throu’ his thinne quhyte haire, Albeit his layes be blythsome and sweit, He hasna a bachel to cover his feit."- -"Harping at thiss tyme of the morne, Upon my lyfe it canna be borne; Ye menseless woman, gae tell my men To flyng the catyffe o’er the Denn, And let him perische i’ the deip, For raisand the Ladye o’ Dun frae her sleip." =The Damischell lookit sae wae and sae meik, And a pearl of pity stood cleir on ilk cheik, -"Shall I tell him, my Ladye, to wend o’er the lea, And he winna come back for bountith or fee; The sillie auld carl, may peace gae wi’ him, I’m sure, dear Ladye, thiss tyme ye’ll forgie him." Her voice was sae sweit, and she bendit hir knee, And the moisture of ruthe dimm’d hir bonnie blue e’e, Quhilk glissent lyke the sunne throu’ a cloud in June, Or the mylder radiance of the moone, As scho rides in the heavens all alone, And the thinne mysts of summer sail round her throne: Ane angell from God mocht hae kisst that sweit face, And returnit to Heaven all pure from the embrace. "Swythe, out of my presence! ye heard quhat I said," Quod the Ladye - "‘Tis meit that my behests be obey’d." =The men they had dancit to the Mynstrell’s laye, But readie their Ladye’s behests to obeye- Thae fleichin, sinfu’, murtherous men, They flang the harper o’er the Denn, And loot him perische i’ the deip, For raisand the Ladye o’ Dun frae hir sleip. He priggit for mercie - he prayit for grace, Quhyle the tearis ran doun his aged face; He vowit to Heiven he maint nae offence, And beggit the men to lett him gae hence- To hirple his waas to the cot - house doore, And cheir with his layes the semple and poore; For thoch his comforts here were but few, His bosome beat to Nature trewe. "Nae mercie here," quod the men "can be given, But we hope, auld man, you’ll meet it in Heiven; Our Ladye’s behests we are bound to obey, Albeit we hae dancit to your roundelay; Then stryke on your harpe the last sound of woe, Before that you sleip in your cauld bed below!" The Laird o’ Dun had power of the law; The Mynstrell was flung in, harpe an a’: The Mynstrell he groan’d, and his harpe it rung, And mute for aye was his tunefu’ tongue! A waesome syght it was to see Him launchit sae quick to eternitie! Ance kythit o’er the streame his bearde sae hoare- Syne his spirit wingit its way to gloare; And niver mair was that Mynstrell sein; But aye and anon, at morn and at e’en, His harpe it sounded to the breize, And a figure was sein to glide throu’ the trees, And groans were heard, sae loud and sae deip, The Ladye o' Dun could niver mair sleip; But aye the mament scho winkit an e’e, Scho saw before hir, as plain as mocht be, The Mynstrell wyde gapin and wreathin in paine, And suein for mercie he couldna obtaine, And wringin his hands in wylde despaire, And waggin his head and his thinne quhyte haire, Quhyle veive in her fancie wad scho see, The ghastlie glowre of his death-set e’e; And his clay-cauld hand wad presse hir cheike; Oh then wad scho start frae hir bedde and shreike,- "Haud aff that hand! oh, withdraw that e’e; For Heiven’s sake, take him away from me! His bearde seemis smearit over wi’ feame: Oh! I wish it were, but its nae - _a dreame!_ For he looks sae wyldie in my face That I wish to God he had metten wi’ grace! Lord! send to my saul the balsame of peace: Oh, quhen shall I fynde it? Neuer - neuer! It has fledde this bosome for euer and euer!" THE BARK. OH, red, red was the rising sun, And red the earth he shone upon, And red the ocean beneath him roll’d, And its surface was like burnish’d gold; Yet hoarse and hollow was its roar, As it gurlg'd against the rocky shore; For although the wind seemed fast asleep, It held its influence over the deep; And those that heard a sound so hollow, Prophesied that a storm would follow, While evermore, as the drowsy wave Receded from the briny cave, Soft murmurs stole upon the ear, Such as the pensive love to hear: And the raven, perched upon the rock, To each murmur joined his prophetic croak. Yet every thing in the sea, in the air, And on the earth, was mild, serene, and fair! So lovely, gentle, bright, and bland, That I thought myself in fairy land. =A little bark, with seeming glee, Was rocking on the golden sea, And spreading wide her snow-white sail To catch on its breast the coy gale. But not a breath on its bosom blew; Albeit the saying is noways new- Still women and wind prove oft untrue; And which of them vex poor seamen worst, If I can tell - may I be *****. Now methinks I hear the landsmen cry- "Hear is the bathos profound - O fy! A tarry sailor is the poet." Say I, "that’s true any lubber might know it." Yet seamen feel as keen as others, And why should not seamen and landsmen be brothers? =As yet this bark, with seeming glee, Was rocking on the golden sea; And no distinction ‘twixt windward and lee. Around her the playful sea birds lave Their plumage in the sparkling wave; And they sported upon the glassy sea, Like guileless lambs, on the flowery lea: They dived below, and they rose again, And they seemed like speckles on the main- Now disappearing, now returning, Like the watery beams of an April morning; But the sail that hung as white and as still As the snow upon Benvoirlich Hill, Now shook and flapped against the mast, Precursor of the coming blast,- Though from what point that blast might blow, As yet the steersman did not know. =A blackened blast now blew from the sea, And soon it was seen the land was the lea. =The bark now lay to the leeward side; And along the surface began to glide; Dipping her gunwale in the ocean, She shot ahead with a rapid motion. The breast of the sail was full, and now The waves in wrath were dashed from the prow; Spitting, splashing, she floundered along- Strait in each stay, and stiff in every thong. The hollow sound was heard no more, But the breakers in vengeance lashed the shore, The clouds, erewhile of a crimson dye, Now mustered murky in the sky; They marched in front of the morning sun, And his shining for that day was done. No more the sportive sea birds lave Their plumage in the sunny wave; The curlew’s melancholy wail Came deep and plaintive on the gale- A solemn sad foreboding cry: The startled mew flew screaming by. The breast of the ocean gleamed no more Like a yellow lake of molten ore; But soon it assumed a dark, dark hue- I pity that bark and her weary crew. =The wind and the sea still louder roar; There is no safety in seeking the shore, - A pile of rocks, both bold and steep, There frown majestic over the deep; And evermore, on the topmost rock, Is heard the raven’s dismal croak. =The lovely morn - the magic light That gilded the earth and the ocean so bright, And painted all creation gay - Like happiness, had passed away: I look’d yet wistful from the strand, But I saw no more of fairy land. =Still louder it blew; and the briny spray Was blown like drift athwart the bay, White and thick as the winter snow, That scours the plain when tempests blow; And often over the deck it flew In showers upon the dripping crew; In balls the yesty foam flew past, Borne to landward on the blast. A sunken rock in the offing lay, Unknown to strangers in that bay; No buoy, nor beacon, erected there, To guard against the fatal snare. The labouring bark, with sudden shock, Was impelled against that hidden rock! It seemed that an opening in her side, Voracious, drank the briny tide, - For she yawed around with a palsied motion, Then sunk to the bottom of the ocean, Down in the navel of the bay, Quick as the sea-fowl after its prey. As anxious I gazed with pity and awe, The crew, like specks, on the surface I saw; I sorrowed to see their woful case, And the tears and the spray mixed on my face, I saw them grapple with the wave, And I saw them sink to a watery grave! Their hour was come, and they soundly sleep In the roomy bosom of the deep. I either heard a distant cry, Or the wail of the wind as it whistled by; But which of these now matters not - It cannot change their awful lot. I listened again, but I heard no more, Save the howl of the blast and the ocean’s roar, And the scream of the mew and the curlew’s wail, As they flitted past upon the gale: Then mournfully I bore away, And I swabbed from my cheeks the tears and the spray, But I’ll never forget what I saw that day. NATIVE MUSIC OH, strains! for ever, ever dear; =While thus you swell your varied note, Methinks angelic forms are near, =Aerial warblings round me float! Now sadly sweet the numbers glide, =And pity mourns the tender woes Of her who wept a "widowed bride," =Where soft the classic Yarrow flows. And now the strains, in tears they steep, =For him who leaves his native shore; Who, doomed to cross the western deep, =Shall never see Lochaber more. Breathe, gentle airs! and draw the tear =For her, the maid in beauty’s pride, Who mourns her absent lover dear, =By Logan’s fairy-haunted side. Symphonious sounds! whose warbled strain =Comes caroled sweet from yonder glade; Ye bring my childhood back again- =Ye speak of days for ever fled! Days of delight! when free to stray =Where slow the North Esk winds along, I listened to your love-lorn lay - =I joyed to hear your Doric song. So the poor Swiss, as pensive slow, =He journeys o’er some foreign clime, If chance he hear these wild notes flow, =That soothed him on his hills sublime. So with delighted ear attends; =So courts their magic melody; Bethinks him of his home and friends, =And gives them sad, a tear - a sigh. KETTY PERT TUNE - "The Boatie Rows." THEY ca’ me auld Ketty Pert, =And my man Tammie Allen, But ne’er did I my Tam dezert, =For a’ that’s ‘tween us fallen. ==CHORUS. By zellin’ mussels, vlukes, an’ eels, =I win my daily breed; At night wi’ meat I vill my creels; =To beg I ne’er ‘ad need. When ance, wi’ murlin by my zide, =Down to the zands I gaed; Zurrounded was I by the tide, =Upon a mussel bed. This prayer unto my zell I zays- =Lord, a’ my zins vorgee; I’ve lived by mussels a’ my days, =Now ‘mang them I maun dee. When young I was baith vair and vleet; =And now, the Lord be thankit, I can gae up throu’ a’ the street, =And nane gan bo’ my blanket. Oh that some honest gentlemand =Ahint wad turn free; And as by chance come to the zands =And zee auld Ketty dee. God provideth, in his providence, =Vor low as weel as high: Just when I thought I wou’d go hence, =Twa gentlemend cam by. By this time I began to float, =And heedeously to roar; The angels cam aff in a boat, =And reach’d me wi’ an oar. I, wi’ a zair and beating heart, =The boat at last did reach; And thus was zaved auld Ketty Pert, =And laid upon the beach! KETTY PERTS PETITION. INVOCATION. MY blessin’s on that face, ye bonny creature - Benevolence sheens in ilka feature; Blythe that ye seem to lean on pity’s side, In thee my present errand, freely, I’ll confide. I crave your grace, not for mysel’, but for anither, Wha fifty years sin’ syne might been my mither; To tell you a’ her wants wad mak you eery, For, oh! the tale’s baith lang, and unco dreary. The muse said mildly - "Tune thy harp, And round the chords meet strains shall warp; For well I know the case is such As needs a smooth, but smarting touch." ‘Tune thy harp,’ quoth I: ‘in troth, I coudna duid, Though ‘twere to save my dearest drap o’ bluid: I am, ye ken, to this trade young and raw yet - I’ll need to rise a wee fore I can fa’ yet.’ She, smiling, took my harp, - and with her lily hand, To real concert pitch screwed up every band; Then, handing it to me, said, now ‘tis compleat. With a scrape and a bow, I made my retreat. ===----- Hear, gentlefolks, an’ brithers a’, Frae Fishergate to Rotten Ra’; Our sister Ketty’s like to fa’, ===Wi’ cauld an’ hunger; She, honest woman’s, what we ca’ ===A mussel-munger. Her purse is tuim - her house is bare; For want o’ Tam her heart is sair: I’m sure, ‘mang Christians, sic a share ===She ill deserves! Oh! I could tell you mickle mair - ===Wad shak’ your nerves. Tam was for lang as blind’s a mole; With patience Ketty did the burden thole; But mony a silent sob and sigh there stole ===Frae her auld breast; When he slipt aff, the thing did her console, ===Was - Tam’s at rest. She mussels sheel’d, an’ wan her bread, Till abler fouk took up the trade; Now, puir auld stock, she gaes a’ claed ===In bits o’ raggies; Troth, little profit has she made ===By fisher maggies. When Wellington o’erthrew Bonaparte, Illumin’d winnocks shone in ilka airt, - Ketty deck’d her’s up as clean an smart ===As ony san’le; Tho’ little light was there, it shew’d her heart, ===A bawbee can’le. Oh! strike your purses, dinna stare, There’s little doubt ye’ll gather mair; To th’ puir ye surely ay can spare ===Some few bit orts! Oh! help a widow claed wi’ care ===O’ mony sorts. THE DREAM. ----------Hence, terrible shadow! Unreal mockery, hence! =======SHAKESPEARE. LAST night I dreamed a dream of horror. Methought, That at the hour of midnight, the bell tolled, With slow and solemn peal; and straight, beneath The pale cold moon, a thousand spectres moved, In "dread array," along "the church-way-path," All swathed in winding-sheets as white as snow - A ghastly crew! Methought I saw the graves Yawn and yield up their charge; and I heard the Coffins crack, and the deadal drapery Rustle against their hallow sides, like the Wings of the renovated _Chrysali_, As they flutter against the ruins of Their winter dormitory, when the voice Of spring awakes them from their drousy couch, To float aloft upon the buxom air. =Although the round full moon shone bright and clear, Yet did none of these awful phantoms cast Their shadows on the wan and silent earth; Nor was the passing breeze interrupted By their presence. Some skimmed along the earth, And others sailed aloft on the thin air; And I observed, when they came between me And the moon, they interrupted not her Pale rays; for I saw her majestic orb Distinct, round, and clear, through their indistinct And airy forms: and although they moved Betwixt me and the tomb-stones, yet I read Their sculpture (deeply shaded by the bright And piercing beams of the moon) as distinctly As if nought, dead or living, interposed Between my eyes and the cold monuments. =The bell ceased to toll; and when the last peal Died away on the ear, these awful forms Congregated in various groups, and seemed To hold converse. The sound of their voices Was solemn and low, and they spoke the language Of the "days of other years." In seeming Woe, they spoke of events long gone by; and Marvelled at the changes that had taken Place since they left this mortal scene, to sleep Within the dark and narrow house. Voices Issued from the mould, where no forms were seen: These were still more hollow and sepulchral; They were as the sound of the cold, bleak wind, In the dark and danky vaults of death when It moans low and mournful, through the crannies Of their massy doors, shattered by the hand Of time - a serenade for owls most meet, And such the raven loves, and hoarsely croaks His hollow response from the blasted yew. Often have I heard, when but a stripling, ‘Twas meet to speak a troubled ghost, to give It peace to sleep within the silent grave. With clammy brow, and joints palsied with fear, I said, in broken accents - "What means this Awful congress, this wild and wan array Of shadowy shapes, gliding here, and moaning At the silent, solemn hour of midnight? Have the crying sins and unwhipt crimes Of mortals, in these latter days, reached you Ev’n in the grave, where silence ever reigns, At least as we believe? Or complain ye Of holy rites unpaid, - or of the crowd Whose careless steps those sacred haunts profane?" -Straight a fleshless hand, cold as ice, was pressed Upon my lips; and the spectres vanished Like dew before the morning sun; and as They faded on my sight, a sound was heard Like the peal of many organs, solemn, Loud, and sonorous; or like the awful Voice of thunder in the sky, - or mighty Tempest, roaring in a boundless forest, Uprooting trees, razing habitations, And sweeping the earth with desolation; Or like the voice of millions, raised in song: Or the dark ocean, howling in its wrath; Or, rather, like all those together, in One wild concert joined. Now the mighty coil Died gradually away, till it resembled The last murmur of the blast on the hill; Of storms, when it lulls itself to rest; and The echo of its wrath is faintly heard In the valley; or the last sigh of the AEolian harp, when the breeze, that erewhile Kissed its trembling strings, is spent and breathless! The next whisper was still lower; and the last Was so faint and feeble that nothing seemed To live between it and silence itself. The awful stillness was more appalling Than its dread precursor; and I awoke In terror! But I never shall forget What I heard and saw in that horrid dream. MUCH ADO ABOUT NOTHING WHERE the Grampians rise in dread array, An’ their awful forms to the south display, An’ grimly frown, as they did of yore, Owre the swampy plains of red Strathmore. On the sunnie airt o’ a dun hill side Rears an ancient town, an’ a town o’ pride, For gude drink fam’d, - where, tradition says, A housekeeper winned in other days. ‘Twas late on a Saturday afternoon, In the waning o’ a September moon, When the e’ening dews were ting’d wi’ frost, The hero o’ our tale for a time was lost. The crops were safe in the farmer’s yard, An’ smugglers a’ for the warst prepar’d; The waukrife gaugers lounging about, When this maist pitifu’ case fell out. They sought him up, an’ they sought him down, An’ they sought him roun’ about the town; They sought him far, an’ they sought him near, But never a word o’ him could hear: Nae marvel they were fashed an’ grieved, For they thought him tint, or else mischieved; Nae marvel ane an’ a’ were vext, For they kentna where to seek him next. O! had ye seen his radical spouse, Wi’ her angry een, an’ her dusky brows; It was a sight to hae speaned, through life, The warmest youth frae the thochts o’ a wife! Her maidens saw that her grief was great, An’ humbly did in attendance wait; An’ ay they sigh’d, but naething did say,- Yet they cuist in their minds where the loun might gae. O! then she bade them up an’ rin, An’ no come back till they brought him in; An’ ay the saut tear stood in her e’e, An’ the woman was grieved as a woman might be. O! then the children forth she sent, To ransack every houff they kent; An’ specially, wherever they past, Nae to look the alehouses last. An’ hour an’ something mair did glide Sin’ he was snug at his ain fireside, An’ twenty minutes were aff an’ gane Sin’ his dear mate was makin’ a mane. Weil ye may guess that her heart was sair, Weil ye may trow she had cause for care; Blythe ye may learn that naebody leugh, For the woman had cause to be grieved aneugh. Lang, lang, they sought him, baith out an’ in; An’ lang the bairns throu’ the streets did rin, Until they snuffed his retreat at last In a cellar dark, but the door was fast. There high on an anker he sat stride-ride, Wi’ a gill-stoup cronie safe at his side - Mair-be-token wi’ the gauger; a’ the three As warm an’ as happy as carles might be. There dimly they boozed by the glimmering light Throu’ the chinky wa’s, but their joy was bright; An’ they quaffed awa’ at the barley bree, For the drink was guid, an’ the drink was free. The drink was free; an’ the matron’s care Was chiefly caused by the stranger pair, Wha, while they got it sae, wadna fash To trouble her wi’ the needfu’ cash. She wrung her hands, an’ she screwed her mou’, An’ she wished them onie thing but fou; Na, na, the carlin had better sense Than to wish them sae at her ain expense. Some will lament, baith loud an lang, An’ make a din when little is wrang; But she had cause for sorrow an’ thought - The rogues were getting a dram for nought! THE GERMAN LAIRDIE. FIRST PRINTED IN THE "MONTROSE REVIEW." TUNE - "Neil Gow’s Fareweel to Whisky." O GEORDIE Geulp is on the Sea, The cliffs of Dover on his lee; For shame! that Britian’s King should be =A wee bit German lairdie O. An’ is it come to this, ohon! That royal James maun flee his throne, For sic a maughtless weary drone =As a puir bit German lairdie O. Auld Neptune, this is what I crave - Oh may he meet a wat’ry grave, An’ soundly sleep beneath the wave - =A droukit German lairdie O. We swear that ne’er a foreign loun Shall ever wear the British crown; By Heaven! we’ll put the sharger down - =The wee, wee German lairdie O. Waesucks that sic a feckless thing Should ever mint at being a king! But Scotia soon will cow his wing, =An’ pu’ his German beardie O. An’ Scotland’s sons will send him over To his hungry hame, Hanover; Again he’ll never be a rover, =But delve in his kail-yardie O. An’ he’ll sup kail and guid kail-brose, He’ll clite his shoon an’ darn his hose, An’ lead a life of sweet repose - =The cantie German lairdie O. Till death, wi’ his wanchauncie dart, Shall spit him through the hollow heart; Wi’ life itsel’ he syne maun part, =To rot in some kirk-yardie O. ON MR. KINLOCH OF KINLOCH LEAVING HIS NATIVE COUNTRY. YE poor auld man, why grieve sae sair, =Whase locks are waving barely? What means the sigh, the starting tear? =What gars you weep sae sairly? Has cauld misfortune’s with’ring hand =Hung o’er thy grey head sairly? Or hae you lost in foreign land =Your ain kind-hearted Charlie?" It’s no misfortune’s bitter blast =That blaws baith late and early; It’s no my son - he’s safe at last - =That gars me grieve sae sairly: But it’s for _honest Geordie_ gane, =My heart for him is burning - An exile frae his native hame, =He’s barr’d frae a’ returning. Poor Scotia mourn’d when he took leave; =She saw his tears come sairly, She hung her head and sair did grieve - =She minded on Prince Charlie. He wept not for his ain sad fate, =Tho’ he was prest unfairly; He saw his country’s bitter state - =‘Twas that that wrung him sairly. "Adieu, my native hills, adieu!" =He said, in silent sorrow; "The bonny sun I winna view =Rise o’er your tops to-morrow." A silent gloom the hills o’erhung, =The heather dowie waving, The birds a lamentation sung, =As he "farewell" was raving. "My country bleeds - my country faints! =But nane, nane will relieve her; Those that should soften her complaints =Most cruelly deceive her. Her sons, wha a’ her waes regret, =They daurna try to save her; Her _day_ is gane! her _sun_ is set! =And _freedom’s_ fled for ever!" A FRAGMENT. LET everything in the creation, =_Igo and ago,_ Be keepit in its proper station; =_Iram, coram, dago;_ Meaning man, or beast, or thing, =_Igo and ago,_ Priest or prophet, prince or King. =_Iram, coram, dago._ Let politicians rave and rant, =_Igo and ago,_ And rich old misers roar for want; =_Iram, coram, dago._ Let lawyers keenly watch each handle; =_Igo and ago;_ Let tabbies deal out tea and scandal; =_Iram, coram, dago;_ Let blackguard gamesters cheat and quarrel; =_Igo and ago;_ Let drunkards bouse and drain the barrel; =_Iram, coram, dago;_ Let honest men declare the trouth; =_Igo and ago;_ Gi’e hempies in a halter scouth; =_Iram, coram, dago;_ Let kings sit mighty on their thrones, =_Igo and ago,_ While their bedesmen beg for scones; =_Iram, coram, dago;_ Let taylors keep upon dry land; =_Igo and ago,_ Let rabbits burrow in the sand; =_Iram, coram, dago;_ Let navies float upon the tide, =_Igo and ago,_ And witches upon broomsticks ride; =_Iram, coram, dago;_ Let dolphins tumble i’ the sea, =_Igo and ago;_ And lampkins bleat upo’ the lea; =_Iram, coram, dago;_ Let loathsome toads squat in a syre, =_Igo and ago,_ And salamanders live in fire; =_Iram, coram, dago;_ Let dandies put on proper airs; =_Igo and ago;_ And let the clergy mind their prayers - =_Iram, coram, dago_- Leave aff their fawnin’ and their fleechin’, =_Igo and ago,_ And mind their Bibles and their preachin’! =_Iram, coram, dago._ JAMIE WEST. AMONG your group of public men Take Jamie West of Ferryden, The king of a’ the fisher crew - A fisher and a pilot too: Sometimes sober - often mellow; Still he was a pushing fellow; Industrious as the busy bee, He drew his riches from the sea: For mony vessel from afar He, skaithless, brought across the Bar, When waves were rolling mountains high, And tempests howling in the sky: And moored them safely at the quay, Where they lay snug as ships could be. And mony _Mary_, _Jean_, and _Janet_, He steered between the Leads, and Annet, Down the river to the ocean, With pleasant breeze and gentle motion; And then the breeze that he liked best Was his namesake breeze, from the lovely west; For it filled their sails, and made them glide Upon the bosom of the tide, Some south, some north, some o’er the sea, Like fillies frisking on the lea. Nor did he search with less devotion The dark recesses of the ocean, - With hook and line and tempting bait, Alluring to their awful fate Cod, ling, and turbot, plaice and skate; Which straight were carried to Monross, And whilom vended at the Cross, But now they’ve found a mart more meet Than just the centre of the street. Still Jamie West increased his store, For he had goods and gear galore: Besides a leal and loving wife, The pride and comfort of his life; With health and walth of buirdly weans, Baith strapping lads and sturdy queans! And, still as fortune on him smiled, A house was reared for every child; A clock in each to watch old time, And cheer the inmates with its chime. Still Jamie ran his busy race, In health, in happiness, and peace, Till drink - the curse of human life, The source of sorrow and of strive - At times, its wicked pranks began To work upon his inner man! For oft he moistified his skin In jolly Ruixton’s little inn, And other houffs - I need not tell - The very counterparts of hell: And then he dealt abuse and blows Promiscuously ‘mang friends and foes. His vengeance knew no bounds or rule; No man was spared - not e’en Slag Coul! Poor ill - less creature! ‘twas a sin To het him for the constant grin That mantled aye upon his face: There was no laughing in the case, Tho’ Jamie thought - (’twas all mistake) Poor Slag was smiling at his neck: And woe betide them, man or brat, That dared to say "Your thrapple’s fat." Then words would pass we dare not name - Dark epithets of sin and shame, And vengeful threats and foul reproach, In neither English, Erse, nor Scotch, But in some strange outlandish speech, Transposing evermore the "h"; For sooth these people deem it better To throw aside this useless letter, Except in that especial case Where others never give it place. But here the mischief is not ended; Assaulted fame must be defended; And reparation made for blows, Discoloured eyes and bloody nose, With other wrongs; likewise the payment Of broken glass and riven raiment; And eke the worst of all disasters, The doctors’ fees and doctors’ plasters. But, last ava, and warst ava, The gudgeons too maun gae tae law; And steps are ta’en, by Lawyer Pillage, To ruin and herry half the village. FAREWELL SONNET. FAREWELL, maid, thy love has vanish’d - =Gone off like the morning dew; Farewell, maid, my peace is banish’d - =Adieu! a sad, a long adieu! Weary world, I now must leave thee; =Sun and moon, a long farewell; Farewell, maid, no more I’ll grieve thee, =Soon you’ll hear my funeral knell. Soon the lips that oft have kiss’d thee, =Mouldering in the dust will lie; And the heart that oft hath blessed thee, =Soon must cease to heave a sigh. Soon the tongue that still rehearses =All thy beauty, fickle fair - Soon the hand that writes these verses =Shall to kindred dust repair. Friends that constant were, and true aye, =Fare-you-well, my race is run; Heartless, lorn, benighted, weary, =Every earthly hope is gone. Gloomy grave, you’ll soon receive me, =All my sorrows here shall close; Here no fickle fair shall grieve me; =Here my heart shall find repose.